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Amy Winehouse: Falling Into the Abyss
Amy Winehouse was born to a Jewish family in Southgate London on 14 September 1983 at 10:25 pm (Source: Frank Clifford quotes Winehouse’s mother to a mutual friend of astrologer Margaret Zelinski. RR: A). She started singing and playing the guitar shortly before her first Saturn opposition. By the age of 20, she was signed to Simon Fuller’s record label and the rest, as we like to say, is history. She stormed into our cultural consciousness with “Valerie” and “Rehab.” Beehive blazing, she was a jazzy cross between Sarah Vaughan and Morticia from the Addams Family.
Astrologically, Amy was a Mercurial character: her ascendant was in Gemini with its ruler in Virgo as well as Mars-Venus, in Leo, conjunct in the 3rd house. Her career and public image have often been described as “dichotomous” a convenient synonym for Mercurial influences. However, the majority of planets are in the northern hemisphere, opposing Mercury’s need to communicate and receive information openly. What we saw in Amy’s performances were pure, poignant, honest emotions – when she sang about not wanting to go to rehab, she wasn’t kidding.
Unusually, Amy’s chart is marked by five pairs of conjunctions: Venus and Mars in Leo, Sun and Mercury in Virgo, Saturn in Scorpio/Pluto in Libra, Jupiter and Uranus in Sagittarius and Neptune in Sagittarius/Moon in Capricorn. With the exception of Chiron in the 12th, it would almost seem that the planets have lost their autonomy and instead, need to function as pairs. This theme of relationships, especially dysfunctional ones, features prominently in Amy’s music and is reflected in her sexually explicit lyrics, for example in “Tears Dry on Their Own”.
Venus and Mars together in Leo usually like to play out their relationship dramas in public and are especially good at making everyone notice their problems. Located in the third house, this conjunction may have caused the attention drawn to Amy’s striking, deep contralto voice, diction and lyrics – consciously or unconsciously – telling the stories of complications in love. For example, look no further than the lyrics for “Back to Black.”
The Venus-Mars conjunction in Leo makes a loose trine to the disconnecting Moon/Neptune conjunction. Music, especially Jazz, was deeply embedded in Amy’s life and her grandmother was even engaged to Ronnie Scott. No one with a Moon conjunct Neptune would take well to keep their feet on terra firma. Because nothing Leo energy does is quiet or subtle, we got the drunken lion’s roar with every paparazzi snap. For months, she teetered on the foggy edge of reality, every moment of undignified escapism chronicled in the tabloids, held up for derision by a sloppy double entendre, causing less hedonistic heads to shake in wonder. As she publicly fell apart earlier in 2011, transiting Pluto struck on the threshold of the Moon-Neptune aspect, triggering the rapid destruction of that aspect. The presence of her Progressed Moon only seemed to signal that sobriety was not in sight. And in the seventh house, this aspect manifested itself in her choice of men, none of whom were in any position to be a positive role model for sobriety.
Transit Pluto was joined by her successor when her debut album “Frank” was released on 20 October 2003 and passed her Neptune/Moon conjunction 3 years later when Back to Black was released. Additionally, when “Back to Black” was released, transit Saturn was conjunct Venus/Mars while transit Jupiter was square to it. Saturn suppresses and on Venus/Mars can miniaturize the exuberant charm of the conjunction while focusing the competitive edge. The lyrics of “You Know I’m No Good” tell the story.
Jupiter, however, can make a big deal out of very little. From the same album, another award-winning song making a rather grand proclamation about the problems of having a Venus/Mars conjunction in Leo with a Saturn transit is the lyrical “Love is a Losing Game.”
Although Amy continued to gain recognition for her talent in 2007, 2008 was a particularly big year for her, even earning her a place in the Guinness Book of World Records (2009) for the most Grammies won by a British female act. In May 2008, transit Neptune opposed Amy’s Venus/Mars conjunction. Neptune has the rather nice feature of reflecting distorted images. A sculpture of Amy, entitled Excess, appeared in London’s Mall Galleries featuring a miniature of her covered in what appeared to be tiny pills (while one outstretched hand held a glass), lying on top of a cracked champagne bottle, with a pool of spillage. liquid below. Another piece entitled “Celebrity 1” also appeared in the same exhibition. On 23 July, exactly three years before her death, her wax sculpture was displayed at Madame Tussaud’s. Later that same year, a sculpture by Marco Perego, entitled “The Only Good Rock Star Is a Dead Rock Star”, was scheduled to go on display at New York’s Half Gallery on the 14th of November 2008. The sale price for the sculpture is listed at US $100,000. Perego said of the sculpture: “Rock stars are the sacrificial animals of society.” Winehouse’s representative said “It’s a fun kind of tribute. The artist seems to be supporting a tabloid persona that isn’t the real Amy. People often use her image to sell their work.”
The progressed planets during that time formed a severe grand cross between progressed Jupiter/Uranus/Moon opposite Chiron, both square to progressed Venus/Mars on the IC. Even without detailed delineation, this setting would challenge even the most stable of personalities – imagine being celebrated as the brightest young British talent in years only to be portrayed as a hopeless junkie! In addition to that, Chiron was in trine to Mercury, thus bringing the news of rapidly declining health: at the age of 25, she was diagnosed with emphysema.
Natal Pluto and Saturn, in a dissociative conjunction (Pluto in Libra, Saturn in Scorpio) in the fifth house, formed the apex of a magical triangle configuration, also much like the one prominent in the charts presented in the other members of the “Club”. from 27″. Any configuration of “easy” aspects produces an electric feeling of infinite energy. Planets caught in the configuration by transit or progression only serve as food to be consumed by the furious gods. A Saturn-Pluto conjunction as a focus for that configuration could to have acted as a shield for Amy’s emotional turbulence. The need to fend off Neptune-Moon nerves but still have all the attention that the Venus-Mars conjunction in Leo craves could have caused a much faster burnout if not for the steel reserve from Amy’s Pluto-Saturn conjunction. Without this aspect, in the fifth house, performing live might not have been possible for a vulnerable personality like her. No matter how much “talent” a person possesses, without nerves of steel (naturally occurring or otherwise), a performer is impotent on stage And Amy has performed live over and over and over again.
In general, squares usually add “grit” to a chart. They make a character, forcing it to do something to overcome limitations rather than passively waiting for answers to arrive like a bolt from the blue. Unfortunately, Amy’s Sun-Mercury conjunction in 4th in Virgo needed emotional and mental precision as a way to express the anguish of living in an imperfect world. In a career where alcohol, fame and drugs are so readily available, Amy Winehouse fell into the abyss.
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