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Love is Not Love – In Shakespeare’s Sonnet 18, Anyway

Sonnets 18 and 116 are two of Shakespeare’s most quoted love poems. If you are a fan of weddings, bathrooms full of rose petals, or Kate Winslet in Sensitive and Sensitive, you’ll recognize the lines “Shall I compare you to a summer’s day?” and “Love is not love / That changes when the alteration finds.” The problem with quotes, however, is that they lack context. Let’s do a quick overview of Sonnets 116 and 18. You may be surprised to find that one of these poems called “love” is not much like the other.

Sonnet 116

Don’t leave me to the wedding of true minds

Admit the impediments.

This is Shakespeare’s equivalent of saying “Mother is the word” to the old “Speak now or forever hold your peace” bit about the wedding ceremony. In fact, Shakespeare doesn’t even admit it word “impediments” to the line that talks about marriage. Love: 1; Impediments: 0.

… Love is not love

What changes when the alteration occurs,

Or it folds with the remover to remove:

In other words, he’s not the one pulling any of this “you’ve changed” crap.

Oh no! is a still fixed mark

That looks like storms and is never shaken;

psh, storms

It is the star of every wand bark,

Its value is unknown, even if its height is taken.

The star to every wand bark? That must be the North Star, which never seems to move from its place in the northern hemisphere. The reason for its “unknown value” is that Europeans didn’t know much about stars in Shakespeare’s time, who were still bitter about the roundness of the Earth and everything.

Love is no fool of Time, though rosy lips and cheeks

Within his compass of the curved sickle comes:

Love: 2; Rosy Lips and Cheeks: 0. On a side note, remember that this is Shakespeare, which means that anything a 12-year-old might interpret as ugly probably is. Feel free to laugh, then, at the image of Old Father Time’s “curved” scythe.

Love does not change with its short hours and weeks,

But it also leads to the side of fatality.

Love: 3; Edge of Doom: Large Goose Egg. If love could talk, it would be saying “booya” right now.

If this is an error and on me proven,

I have never written, nor man ever loved.

Did Shakespeare just swear on his own poetry? They are fighting words. If you don’t know why, it will all make sense when we get to Sonnet 18.

Like Sonnet 116, Sonnet 18 ranks high on Sappy Poetry lists…usually by people who go for explicit rather than implied meaning. If you’ve ever thought about including a reading of Sonnet 18 at your birthday party, the last three lines will probably change your mind. (If you are a indeed careful reader, the first two will do the trick.) Let’s start at the top.

Sonnet 18

Shall I compare you to a summer’s day?

You are kinder and more temperate:

Aww, how sweet! Let’s think… To be sure, let’s read it again – out loud. Remember to stress every second syllable, like this:

Are you I comlook like tea to a sumWednesday day?

did you Art no longer lovely and no longer temin orderate: :

Ha ha! Do you notice that “I” is emphasized, but “you” and “you” are not? Sneaky. Let’s continue.

The bitter winds shake the dear shoots of May,

And the summer rental has too short a date:

Can’t argue with that.

Sometimes too hot the eye of the sky shines,

And often is his golden complexion dimm’d;

And every fair fair goes down sometimes,

By chance, or nature’s changing course untrimm’d;

Yes, we get it – everything in nature fades. Back to that person “you” already.

But your eternal summer will not fade,

Woohoo! And the “you” is emphasized! We know Shakespeare will come around eventually!

Nor lose possession of that fair you owe,

We like where it’s going.

Nor will death boast that you wander in its shadow,

good, good Keep it coming!

When in eternal lines as time grows;

Oh oh, we have a conditional. So let’s put this straight: everything that does not fade, does not become ugly or die business depends on the growth in some eternal lines over time? What does this even mean? And please don’t say it has anything to do with the fact that Sonnets 1-17 are also known as “procreation sonnets.” If Shakespeare says the best way to bottle up all his good looks is to create genetic bloodlines, let’s go ahead and reject that second date.

While men can breathe, or eyes can see,

Another conditional?!? Okay, fine: “as long as men can breathe, or eyes can see” is actually a decent amount of time, so we’ll let it slide.

So long life this, and this gives you life.

At last! – an emphasized “you”! But hold the phone: which onedoes it give you life Some unnamed “this”?? Does Shakespeare refer to those eternal lines? To give him some credit, maybe he knows enough grammar to use the pronoun “these” when talking about something plural. Dare we ask… if “this” is the sonnet itself? Could Shakespeare be suggesting that being featured in his work immortalizes you? Are these eternal lines the lines of the sonnet itself? Is the ending emphasized only because it is the end result of Shakespeare’s immortal poetry skills?

Probably. After all, being Shakespeare is like being an Elizabethan rockstar: you can bully roadies, sleep with groupies, trash hotel rooms, and still be the love of the world. And let’s face it: if you went down in history as U Bard, you probably swear by your own poetry too.

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