How To Teach Self Control To A 3 Year Old Combat Wrist Locks – Advanced Control Secrets From The Ninja’s Self Defense Art of Ninpo-Taijutsu

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Combat Wrist Locks – Advanced Control Secrets From The Ninja’s Self Defense Art of Ninpo-Taijutsu

Wrist locks are a fairly common self-defense technique, especially in grappling or “soft” arts like jujitsu and aikido. In the defensive art of the Ninja, known as ninpo-taijutsu (or “budo” taijutsu to some), there are some very advanced secrets to get maximum control over your opponent with your wrist locks.

This article takes a look at the “anatomy” of the wrist, and then corresponds to this very important information with the basic locks and jams that the art of Ninjutsu applies to the joint of the wrist. After reading this lesson, and adding the key points to your own training, you will have the ability to increase your control over whoever is on the receiving end of one of these defense techniques.

Let me start by saying that, it is only natural for a student new to the art of Ninjutsu, or any other system that employs wrist locks, to focus on what the technique “looks like”. It seems simple anyway. The teacher just grabs the attacker’s hand with his “this way”, and does X,Y,Z to the wrist.

But, although it is not immediately apparent, the student will begin to notice that he or she is not getting the same results as the teacher. Oh sure, they’re “twisting the wrist”, but the opponent doesn’t end up in the same place – or doesn’t go down the same way the master showed. As they progress toward mastery, it is a natural tendency for the advancing student to want to have more of the same control as their teacher.

And, this is where we begin a much deeper study of this basic self-defense technique.

When it comes to learning, teaching, or applying the art of Ninjutsu to any problem or situation, I’m a big fan of “strategic thinking.” That means I step back from the details and the step-by-step mechanics of the technique, to get the bigger picture. In other words…

I want to see the forest that is made of trees. And then, with this knowledge, I can go back and look at the details from a whole new perspective where every part, piece, or move in a technique – does something specific – and it’s not just because “that’s our style . does.”

What this means in relation to a wrist lock is this…

What we call the wrist is actually a collection of bones, spaces, connective tissue, and what not – a collection of many different parts that go together to create this thing called a “wrist”.

Now, I don’t need to be a doctor or scientist to understand that the wrist is a “universal joint”, capable of the greatest variety of movement (out of the 3 types of joints in the body). But, even so, the articulation itself has its limitations. And, this is where the wrist locking and folding techniques come in.

I find it helpful, when teaching these advanced concepts to students, to use the analogy of the aircraft “joystick” in relation to the wrist. Because, both can be moved the same way.

In the aviation world, they use the terms:

  • Pitch – which is the movement up / down or direction to gain or decrease elevation.
  • Yaw – the movement or direction from side to side, and…
  • Rotation – which of course is the spiral, or spinning of the craft.

And, the wrist can be moved the same way.

To achieve this, follow along with me as I stretch my hand out in front of you. It can be palm up or palm down – but, in any case, the palm must be parallel, or even with the ground.

Now, raise and lower your fingers and hand from the wrist, without moving the forearm. This is “pitch”.

After raising the palm again, move your fingers from side to side, without turning the palm to the side. This is “yaw”. And finally…

Simply rotate your hand from side to side – spin it. This is “rotation”. (You will also find that, unlike the “pitch” and “yaw” directions which can be done “by” the wrist joint itself, the “rotation” is actually done by the forearm).

What does it have to do with joint locks?

Everything!

Because you’re not doing a “thing” called a wrist lock to your opponent’s body. When you apply these martial arts techniques, you do “something” to the “structure” of your opponent’s joint – which limits movement and actually has a feedback effect that causes their body to “return” in yourself!

It is when you can see beyond the step-by-step movements of your techniques, including wrist locks, that you can see that this technique is really about hyper-flexing, or extending the joint farther than it is designed to go. ! But, in order to do that, you have to know which parts need to be moved, and which parts need to be immobilized to get the effect of locking, shearing and general control that you are looking for.

So, you can see that the common closing techniques of ninpo-taijutsu really take advantage of the inherent weakness in the wrist, along the lines of direction I outlined earlier. So what…

  • Omote-Gyaku (‘obvious reversal’) is a “rotation-based” wrist lock.
  • Hon Gyaku (“principle reversal”) is a “boarding-based” blocking control.
  • Take-Ori (“bamboo break”) is a “pitch-based” inversion, and…
  • Hooray Gyaku (‘hidden reversal’) is a combination lock that applies ‘rotational’ and ‘boarding based’ force to the wrist.

And, as you progress, you will come to find that, not only these techniques will be much more powerful for you, but you will also understand how to apply your own unique locks that combine two or more of the directions above…

… and also do all three either simultaneously or in succession to keep your attack off-balance, confused, and completely under your control!

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